Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Arthur Melville 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
59891 An Arab Interior Arthur Melville An Arab Interior An Arab Interior, 1881, National Gallery of Scotland.
40001 Arab interior Arthur Melville Arab interior mk155 1881 Oil on canvas 94x71cm
61999 Arab Interior Arthur Melville Arab Interior Oil on canvas. 36.5 x 27.5 in. *94 x 71 cm). National gallery of Scotland, Edinburgh.
39315 King Cophetua and the Beggar Maid Arthur Melville King Cophetua and the Beggar Maid mk147 1898 National Gallery of Scotland
26048 Kirkwall (mk46) Arthur Melville Kirkwall (mk46) 1880 Watercolour 36x55cm Glasgow Art Gallery & Museum
28481 The Little Bullfight:'Bravo Toro' Arthur Melville The Little Bullfight:'Bravo Toro' c 1888-9 Watercolour 55.9 x 77.5 m (22 x 30 1/2 in) Victoria and Albert Museum (mk63)
61863 The Sortie Arthur Melville The Sortie 1882 -3. Watercolor on paper. 14.5 x 20 in. ( 36.8 x 50.8 cm). Courtesy Leicester Galleries, England.

Arthur Melville
British Painter, 1858-1904, Scottish painter. He was trained in Edinburgh under James Campbell Noble (1846-1913) and at the Royal Scottish Academy Schools. His early works are peasant subjects in a subdued tonal style. While at the Acad?mie Julian in Paris and at Grez-sur-Loing (1878-81) he developed a colouristic watercolour style with strong chiaroscuro. This was consolidated during his journey in 1881 to Egypt and Constantinople, and on trips between 1890 and 1893 to Spain (with Frank Brangwyn) and North Africa. Contrasts of strong sunlight and coloured shadows were created in his 'blottesque' technique of colour droplets on paper saturated with Chinese white: sponge and brushwork were used to clarify form, as in Little Bullfight: 'Bravo Toro' (c. 1888-9; London, V&A). He was associated with the Glasgow Boys and influenced their development of colour and design. His closest contact with them came during outdoor sketching trips in Scotland between 1882 and 1889, and in Paris in 1886 and 1889. In 1886 he became an Associate of the Royal Scottish Academy and developed a strongly decorative oil style, seen in Audrey and her Goats (1884-9; London, Tate).
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